Showing posts with label Pierce Brosnan. Show all posts
Showing posts with label Pierce Brosnan. Show all posts

Tuesday, October 22, 2013

The World’s End

The World's End
  • Released Internationally on 18/07/13
  • Released in Malta by KRS on 23/10/13

Review (08/10/13)
3-word review: Sadly, too silly.
The Cornetto Trilogy
I am a huge fan of the first two instalments of this unofficial trilogy, which features different stories set in different times, but sharing a certain level of craziness and black humour. They're all written and directed by Edgar Wright (who also brought us the wonderful Scott Pilgrim), and they all star the duo Simon Pegg (Star Trek) and Nick Frost (The Boat that Rocked), who have great chemistry on screen. The first, Shaun of the Dead, was a near-perfect humourous take on zombie films; and the second, Hot Fuzz, was a wildly entertaining homage to over-the-top action films from the 80s. This third outing unfortunately falls short of its predecessors, especially in the second half.

The World's Start
Things start of promisingly, with a fast, joyous and entertaining prologue sequence that introduces us to five old friends and the legendary antics they got up to a few decades ago. Their present day incarnations are all rather serious types, except for the loose cannon Gary King (Pegg), who never quite grew up. The one thing he has going for him is his infective enthusiasm, and he manages to convince the old gang to head back to their hometown and try to complete the famous pub crawl that they attempted many moons ago. Apart from Pegg and Frost, the central quintet is rounded off by Martin Freeman (The Hobbit), Paddy Considine (The Bourne Ultimatum) and Eddie Marsan (Happy Go Lucky).

The Nostalgia factor
Of course, as happens with nostalgia, things aren't as amazing as everyone remembered them to be, and the film offers some half-hearted commentary about the unfortunate gentrification of British pubs, and the rose-tinted distortion of childhood memories. It is, however, fun to watch the central five warm to each other as the pints get consumed and the stories start coming out. When the levels of testosterone get too high, Rosamund Pike (Die Another Day) waltzes in to offer a female touch, and she triggers off a whole slew of further memories.

But...
The above lasts all of forty minutes, and is fun to watch, in a warm, non-demanding way. Then, as expected, all hell breaks loose. I was, of course, expecting this, since the film's title is evidently not just the name of the pub crawl's final pub, and in Hot Fuzz, the sudden change in tone of the film half-way through was marvellously executed and great fun. But here, things manage to get too silly. I am fully aware that 'silly' was a core element of the previous two films, but there's a limit. This film crosses that limit, and hands us a second and third act that are too ridiculous to sustain any prolonged interest. It's a pity, because in between all the carnage and nonsense there are a handful of good jokes and potentially touching moments. But it's all drowned in a big, expensive-looking mess.

In the end
The messy ending is made even worse by an epilogue scene that adds nothing and doesn't make much sense, and by the time the end credits rolled I had nearly forgotten the high hopes and warm feelings I felt throughout the first part of the film. Thankfully, the three films in this 'trilogy' are separate entities, so in future years we can still look back at Shaun of the Dead and Hot Fuzz with the respect and affection they deserve, whilst hopefully forgetting about this one.
WorldsEnd2
Mark5
Trailers:
http://trailers.apple.com/trailers/focus_features/theworldsend/

Tuesday, August 09, 2011

Screen Themes - Bond Music

The enduring James Bond series has consistently great music - but not just the theme songs. Here are some highlights for the often unsung (literally) film scores, which are just as memorable.

Sunday, July 20, 2008

Mamma Mia!

Mamma Mia

 

  • Released Internationally on 09/07/08
  • Released in Malta by KRS on 23/07/08

 

In a nutshell

Yet another successful jukebox musical makes the leap to the big screen. Mamma Mia! has been playing to packed theatre audiences on both sides of the Atlantic for nearly ten years, and considering the undying popularity of ABBA’s hits, it’s no surprise.

Summer loving

Mamma Mia! Is very much a summer film – loads of beautiful people singing and dancing away on a sun-drenched Greek island, as they prepare for a wedding. Guests start to arrive from around the globe, and a few old friendships are re-forged and some old flames rekindled. What more could you ask for on a hot summer night?

Happy families

I admit to never having watched the stage musical, for reasons related to my Y chromosome, so I’m not sure how this screen version steers away from the original plot or song line-up. We first meet Sophie on the eve of her wedding, and she confides in her bridesmaids that she has raided her mother’s old diary looking for clues as to the identity of her unknown father. Instead of an answer, she finds three, and therefore decides to invite all three of them to the wedding. And sure enough they all turn up, never having met each other before, and all eager to meet their old summer romance, Donna.

Mighty Meryl

Donna runs the island’s main hotel, is organising the wedding, and more or less steals the show. She is played by a very feisty Meryl Streep, who once again shows us her huge versatility and talent. Approaching 60, Streep transforms herself into a burnt-out but fun single mother, who’s put aside her wild youth and settled for a quiet but busy life cut off from the rest of the world. She sings, she dances, she performs splits, and she crowns it all with a wonderful rendition of ‘The Winner Takes It All’ atop a windy cliff.

Who else is in it?

Amanda Seyfried (Mean Girls, Alpha Dog) is the bride-to-be, Sophie. The three potential fathers she invites are portrayed with gusto by Pierce Brosnan (007, Mrs. Doubtfire), Colin Firth (Bridget Jones’ Diary, Love Actually) and Stellan Skarsgård (Pirates of the Caribbean, Amistad). Julie Walters (Harry Potter, Billy Elliot) and Christine Baranski (The Birdcage, Bulworth) are equally entertaining as Donna’s best friends. The film was directed by Phyllida Lloyd, who had directed the musical to worldwide success back in 1999.

Flawed but fun

The fun never stops, and there are over twenty musical numbers squeezed into the plot, and chances are you know the lyrics or at least the tune to nearly all of them. And the entire cast seems to be having great fun throughout the whole thing. Admittedly, watching James Bond suddenly burst into song on a Greek veranda can take some getting used to, but most musical numbers turn out quite well. The scenery is exquisite, although some sequences give away the studio setting and fail to match the outdoors scenes. But all’s resolved in the end, and in true musical style there’s a big grand finale to suit everyone. And just in case you’re not smiling by the end of it all, the closing credits are sure to win you over.

 

Mark6

 

Trailer:

http://www.apple.com/trailers/universal/mammamia/ (High-res QuickTime)