The Hunger Games: Catching Fire

• Released Internationally on 20/11/13
• Released in Malta by KRS on 21/11/13

Review (20/11/13)

3-word review: Even better sequel.

I think I’ll stop rushing to read books before they are made into films. It makes the films so much more enjoyable when I have no clue what’s coming next. I hadn’t read the Hunger Games books when the first film was released, and I enjoyed it so much I decided not to read the other two, despite itching to know what comes next. And here I am, hugely satisfied by the second film, and itching to know what happens in the third. But I’ll be patient.

Of course, the eternal debaters between the book and the film choices would point out that reading the books without having seen the films offers the same raw joy, but considering how many books I have lined up waiting to be read, I think I’ll be fine without delving into these particular  three.

 

So where were we?

But I digress. This second film definitely assumes you have watched the first, and picks up soon after Katniss (Jennifer Lawrence, now an Oscar winner) and Peeta (subtle but effective Josh Hutcherson) have won the 74th edition of the infamous Hunger Games, in a dystopian world somewhere in the future. Their stirring victory and apparent love story has sent ripples of admiration and defiance through the twelve districts of Panem, and President Snow (a wonderfully malicious Donald Sutherland) rightly fears a revolution. He schemes with his new Head Gamesmaker (Philip Seymour Hoffman) to get them eliminated or at least have their image deflated, by hosting a 75th Hunger Games that involves participants selected from amongst past winners. So sort of like the Champions League, but instead of getting knocked out, you’re killed.

 

Deeply disturbing stuff

Much like the first film, the strength of this sequel is the worrying concept at its core, and the unsettling similarities to the world we live in, where TV and reality work together to manipulate audiences, and too much is done purely for show. The capital city’s thriving population feeds off the work and misery of the backward districts, and their celebrity TV presenter (a finely-tuned manic performance by Stanley Tucci) turns shocking and morbid news into sound bites for the cheering crowds. Death is reduced to a mere TV event, and lives are judged by their impact on TV audiences. It’s a far exaggerated version of the reality TV scenarios we have today, but so much of it rings eerily true. The helpless people on TV are instructed to merely be a distraction, so that the unwashed masses in the audience don’t have time to think about the real problems in their lives.

 

Making us accomplices

One of the impressive feats of the film, although I’m not sure whether intentionally or not, is that during the extensive build-up to the games, as we meet the eventual participants and see what is really at stake, the revulsion at the concept of the murderous games is mixed with a palpable anticipation for the games to start. I for one felt a rush when the countdown finally began and all hell broke loose. It’s hugely entertaining of course, and just like the manipulated workers of Panem I was eager to see the contest unfold. But of course, these are not straightforward games like we saw in the first film.

 

Cast and crew

The star-studded cast makes for quite an impressive list. Complementing Tucci as another well-executed fake is Elizabeth Banks (Zack and Miri Make a Porno) as the District 12 escort, and trying to keep calm and grounded amidst all the craziness is celebrated designer Cinna (Lenny Kravitz). Woody Harrelson also returns as the previous District 12 victor who mentors the new stars, and Liam Hemsworth (younger brother to Thor star Chris) resumes duties as Katniss’ close friend and hopefully more. The new participants in the games include a few familiar faces too - Jeffrey Wright (Syriana, Casino Royale), Amanda Plummer (Honey Bunny from Pulp Fiction), Lynn Cohen (Munich) and Jena Malone (Donnie Darko). This sequel has a new director (Francis Lawrence, I Am Legend) and writers (Simon Beaufoy, Slumdog Millionaire; Michael Arndt, Little Miss Sunshine) but they do a remarkable job of continuing seamlessly where the first film left off, also thanks to the recurring musical themes of James Newton Howard (Batman Begins, The Sixth Sense).

 

In the end

This is extremely entertaining cinema, and it touches on a host of themes, from unrequited love to the power of the media, and all showcased in a post-apocalyptic world where excess and poverty feed off each other. The plot is taken up a notch in this second instalment, after the seeds of revolution were sown in the first, and I eagerly anticipate the next part of the story. The film also has that rare luxury only offered to second films in trilogies, which The Empire Strikes Back and The Two Towers made such excellent use of - the downer, cliff-hanger, ending.

 

Trailers:
http://trailers.apple.com/trailers/lions_gate/thehungergamescatchingfire/

November at the Movies

 

• This article was first published on 01/11/11 in VIDA magazine.
• Release dates are subject to change. All films released locally by KRS Film Distributors Ltd.

film of the month:

The Ides of March

George Clooney is not just a pleasant leading man with nicely-chiselled features. Amongst other things, he’s been trying his hand at directing for the past decade, and his 2005 film Good Night, and Good Luck, which he directed, starred in and co-wrote, is a flawless little gem that has class written all over it. He’s now returning to the political arena with another film in which he also stars, this time as an American presidential candidate.

As the presidential hopeful builds momentum and seems destined for the White House, his campaign is being run by a junior, but very talented, campaign manager (Ryan Gosling, who seems to be in everything nowadays, and was particularly good in the recent Crazy Stupid Love and Drive). Offers start to come in, as I’m sure they do in real life, of shows of support in return for favours later on. But the candidate tries to stick to his principles, and the campaign manager isn’t sure which side to stay on.

Rounding off the impressive cast are Philip Seymour Hoffman (Capote, Magnolia), Marisa Tomei (My Cousin Vinny, The Wrestler), Paul Giamatti (Sideways, Cinderella Man) and Jeffrey Wright (Casino Royale, Syriana). With the media-heavy Obama campaign fresh in our minds, it’s easy to imagine Clooney in the role, and this time we get to see what goes on behind the scenes. With a title like this, I guess we can safely assume there will be a certain amount of back-stabbing.

 

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also released this month:

The Twilight Saga: Breaking Dawn - Part 1

Yes, that is the actual title. Since the Harry Potter final film split seemed to work nicely, this other fantasy franchise decided to hop on the money train too. So the fourth and final book in the werewolves vs. vampires love story will be fleshed out into two films. This is great news for Twilight fans, I imagine. The chapter kicks off with a wedding, but it turns out that marriages between humans and the undead aren’t such a good idea after all. Needless to say, this is only for those who have watched (and enjoyed) the previous three films.

 

The Rum Diary

Johnny Depp continues to mix staple, blockbuster roles (such as the cash behemoth he heads as Jack Sparrow) with smaller, more intriguing films. One of his weirdest trips was the drug-fuelled haze of Fear and Loathing in Las Vegas, based on the book by Hunter S. Thompson, which was a perfect fit for the eccentric talents of director Terry Gilliam, and Depp. This new film is an adaptation of another book by the same author, and this time takes us to Puerto Rico, where an American journalist immerses himself fully into the local craziness, aided significantly by the joys of rum. This should be fun.

 

Happy Feet 2

Happy Feet was an icy-cool breath of fresh air, that came out of nowhere and was one of the most original, and enjoyable, animated films of recent years. But despite what appeared to be a fluffy, jukebox-style first half, it also dared to delve deeper, and had a few disturbing and thought-provoking moments later on. Thankfully, the sequel is still the work of George Miller (who was also the man behind Babe), so hopefully it won’t descend into cheap sequel-itis. Elijah Wood (you know, Frodo) returns as Mumble the penguin, although he’s now all grown-up and doing some parenting of his own. Also reprising their vocal roles are Robin Williams and Hugo Weaving, and joining the arctic fun are Brad Pitt, Matt Damon, Pink, and Modern Family’s Sofia Vergara.

 

Tower Heist

I love heist films, and this one’s a comedy too. Director Brent Ratner has successfully juggled crime and comedy in the past with the Rush Hour films, and this time he has an incredible cast at his disposal - Ben Stiller (Tropic Thunder), Casey Affleck (Gone Baby Gone), Matthew Broderick (Godzilla), Alan Alda (M*A*S*H, 30 Rock), Tea Leoni (Spanglish) and Gabourey Sidibe (Precious). And adding some veteran mania to the comedy is Eddie Murphy, who might be hoping this film gives his comedy career a bump in time for next year’s Oscars, which it looks like he will be hosting.

 

Straw Dogs

This is an apparently faithful remake of the disturbing 1971 film, about a young couple who drop everything and go to live in an idyllic house in the woods. They start to be harassed and taunted by workmen and neighbours, with things eventually getting very out of hand. James Marsden (Enchanted, Superman Returns) and Kate Bosworth (Blue Crush, Superman Returns) reprise the roles originally played by Dustin Hoffman and Susan George. The original film was infamous for a few graphic scenes, so this might not be for everyone.

 

Contagion

Disaster movies are fun. Those standard shots of newscasters announcing the tragedy, presidents calling for calm, and (this one is obligatory) people slowly getting out of their cars in standstill traffic, make for great cinema, with us viewers obviously rooting for the human race. And amongst all disasters, outbreaks are often the most chilling, since we have been subjected to similar, but thankfully better-controlled, epidemics in the past few years. No matter how scary an alien looks, it can’t cause as much paranoia and panic as an invisible virus that you could pick up by touching a door handle. Steven Soderbergh directs, and the ensemble cast consists of Marion Cottilard, Matt Damon, Laurence Fishburne, Jude Law, Gwyneth Paltrow and Kate Winslet. It’s not every day we see a Best Actress winner be killed off in a film - but with three to choose from here, it’s safe to say we will.

The Boat That Rocked

 

• Released Internationally on 01/04/09
• Released in Malta by KRS on 15/04/09

 

In a nutshell

In the latter half of the 60s, the conservative and all-powerful BBC was in control of what the UK public got to watch and listen to. Rock and pop music were only allowed a few tiny slots per week, despite their growing fan base. Enter ‘Radio Rock’, the 24-hour pirate radio station which from a ship in international waters used to reach over 24 million UK listeners and give them what they craved – non-stop hit music. The government wasn’t too pleased however, and the ensuing battle to close the station down has been hailed as the start of the opening-up of the airwaves.

Who’s in it?

We arrive aboard Radio Rock in the company of the young Carl (relative newcomer Tom Sturridge) who is going through a rough patch and has been sent aboard to spend some quality time with his godfather, and captain of the ship, Quentin (the wonderful Bill Nighy, of Love Actually and Notes on a Scandal fame, in yet another show-stealing role full of languor and dry humour). Carl soon meets everyone else on board, including the infamous deejays the whole nation is tuning-in to, and their minimal crew. Philip Seymour Hoffman (Doubt, Capote) is The Count, a rock guru brought over from across the Atlantic. Nick Frost (Hot Fuzz, Shaun of the Dead) is Dr. Dave, who doesn’t let his obesity interfere with his sex-symbol status. And in a much-hyped return after his brief career abroad, the station is proud to have back their silken-voiced rock god Gavin, played with much gusto by Rhys Ifans (Notting Hill, Enduring Love). On the other end of the spectrum, Kenneth Branagh (Valkyrie, Henry V) is the minister who dreams of sinking the ship, with the help of his assistant, Twatt (Jack Davenport from Pirates of the Caribbean and The Talented Mr. Ripley). The supporting cast is just as hilarious, with each member of this energetic crew bringing his own unique touch to the radio’s growing audience.

Richard Curtis

Despite the impressive ensemble cast, the film promotional material only ever had to have one name plastered all over it – Richard Curtis. The highly revered British writer-turned-director has given us some of the best laughs and romances of the past 25 years. Blackadder, Mr. Bean, Four Weddings and a Funeral, Notting Hill, Bridget Jones and the seminal Love Actually were all the fruit of his pen, whilst he also produced a number of them, and directed Love Actually. His very British sense of fun, warmth and humour is once again all over this film, though maybe not up to his highest standards.

Music to our ears

As can be expected from a film about a 60s radio station, the soundtrack takes centre stage and helps give the film an extra dose of energy, colour and nostalgia. From Procul Harum to David Bowie and from Cat Stevens to The Who, everyone should find at least a handful of songs they love peppered through the film, with a number of key sequences being built around the music the radio happens to be playing, to great effect. (The Beatles are notable by their absence, which probably suggests licensing issues). A classic piece of Morricone spaghetti-western score from the same era is used brilliantly in a key action sequence, and one of the film’s emotional highpoints is made all the more solemn by the use of Elgar’s Nimrod (from the Enigma Variations), which works like a charm but is becoming a bit overused, with recent prominence in Elizabeth and Australia.

Only a few leaks

Despite being a joy from start to finish, and a fun slice of retro Britannia, the film falls slightly short of Curtis’ previous efforts. Its main flaws are forgivable though – despite being long, it’s still fun throughout, and with regards to historical accuracy, Curtis himself has stated he just wanted to make a piece of entertainment, not a precise documentary. Still, despite its blemishes, the film is as infectious and fun as the music it so proudly pays tribute to, and during the many montages of UK listeners tuning in and twisting to their favourite hits, it’s hard not to wish you were there.

 

 

Trailer:

http://82.196.228.81/media/Trailers/boatthatrocked/btr_trl_large.mov (High-res Quicktime)

 

Doubt

• Released Internationally on 25/12/08
• Released in Malta by KRS on 18/03/09

In a nutshell

Fr. Flynn is a charismatic, progressive young priest in a small Catholic parish in the Bronx, New York. He also teaches in the attached Catholic school, which is run by the Sisters of Charity of New York, under the iron fist of Sister Aloysius. She becomes convinced that he has abused a vulnerable boy in the school, and despite not having any evidence or witnesses she sets out to bring him down.

Cloistered habits

Adapted from the Pulitzer-prize winning play Doubt: A Parable, this film is predictably short on the action front, but more than makes up for it with its sharp dialogue and powerful performances. Set nearly entirely between the four walls of the church and school, the story is built around four or five key sequences, including two wonderfully orchestrated confrontations between Fr. Flynn and Sr. Aloysius. The dark corridors of the nunnery, the grey skies seen through the occasional window, and the dark, oppressive bonnets worn by all the nuns help to add to the sense of starkness and piety. The sparse score by Howard Shore (The Lord of the Rings) and the occasional Christmas hymn complete the effect.

Mother superior

The great Meryl Streep, unrecognizable as the care-free woman who danced and sang her way through Mamma Mia! only last summer, is terrifying as Sister Aloysius. With a name that conjures up a few memories of similar characters from my own school years, she is utterly believable as the one thing all her students, and colleagues, are afraid of. Once she has her own certainty of Fr. Flynn’s wrongdoing, she will stop at nothing in the pursuit of virtue, even if it means “taking a step away from God”.

“The dragon is hungry”

Philip Seymour Hoffman (Capote, Magnolia) is equally impressive as Fr. Flynn. Whether standing at his pulpit, or mingling with his students, he draws us in, getting us on his side against this monster everyone should be terrified of. This is the beauty of the story – the characters’ doubts become our own, and from scene to scene we must re-evaluate what we have seen and heard to try and reach our own conclusion, and take sides.

Not so minor roles

Amy Adams (Enchanted, Charlie Wilson’s War) is Sister James, a young, naive nun who dutifully obeys Sister Aloysius’ command to be on the lookout, but who after reporting some oddities is then repulsed by the huge chaos she has created. And rounding off the four main characters is Viola Davis (Syriana, Disturbia) as the mother of the boy in question. Not since Judi Dench in Shakespeare in Love has so much praise and attention been given to such a brief role – she only has one speaking seen and a few more seconds on screen. But she turns everything inside out by defying Sister Aloysius and, incredibly at first, not giving the reaction one would expect from a mother. Her impassioned plea is startling, yet possibly the wisest of all the conflicting views, and her role is as pivotal as the other three.

In the end

John Patrick Shanley, who wrote the play, has adapted it for the screen himself, and also directs. He fleshes it out with a few mood-setting outdoor scenes and some background characters, but ultimately it’s his writing when the four main characters face-off that makes the film. Small in scope, and essentially just a detailed study of four different reactions to one dubious occurrence, this is a film that should get you thinking and taking sides, whether you’re a firm believer, a non-believer, or someone with doubts.

 

Trailer:

http://www.apple.com/trailers/miramax/doubt/ (High-res Quicktime)